Harmony Hammond: Catalogues, Books, and Monographs
Albrecht, Donald, with Stephen Vider. Gay Gotham: Art and Underground Culture in New York. New York: Museum of the City of New York, 2016.
Ammer, Manuela, Achim Hochdörfer, and David Joselit. Painting 2.0: Expression in the Information Age. New York: Delmonico Books, Prestel, 2015.
Auther, Elissa. String, Felt,Thread: The Hierarchy of Art and Craft in American Art. Minneapolis, MN: University of Minnesota Press, 2009.
Bacon, Alex. Crossings + Accumulations, Alexander Gray Associates, New York and Radius Books, Santa Fe, NM, forthcoming May, 2023.
Blake, Nayland, Lawrence Rinder, and Amy Scholder, eds. In A Different Light: Visual Culture, Sexual Identity, Queer Practice. San Francisco: City Lights Books, 1995.
Broude, Norma, and Mary D. Garrard, eds. The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Abrams, 1994.
Bryan-Wilson, Julia. Fray: Art and Textile Politics. Chicago: University of Chicago Press, 2017.
Butler, Cornelia, ed. WACK! Art and the Feminist Revolution. Los Angeles: The Museum of Contemporary Art, 2007.
Cameron, Daniel J. Extended Sensibilities: Homosexual Presence in Contemporary Art. New York: New Museum, 1982.
Casals, Gonzalo and Noam Parness. Queer Holdings: A Survey of the Leslie-Lohman Collection. New York: Leslie-Lohman Museum of Gay and Lesbian Art, 2019.
Chaich, John, and Todd Oldham. Queer Threads: Crafting Identity and Community. New York and Los Angeles: AMMO books, 2017.
Cooke, Lynne. Woven Histories: Textiles and Modern Abstraction. National Gallery of Art, National Gallery of Art, Washington, D.C. Forthcoming fall, 2023.
Elderton, Louisa and Rebecc a Morrill, eds. Vitamin T: Threads and Textiles in Contemporary Art. London: Phaidon Press Limited, 2019.
Fogle, Douglas and Hanneke Skerath. Making Strange: The Chara Schreyer Collection. New York:DelMonico Books/D.A.P.,2021.
The Great American Lesbian Art Show. Los Angeles: The Woman’s Building, 1980.
Harmony Hammond, New York, NY: Alexander Gray Associates, 2013.
Harmony Hammond, New York, NY: Alexander Gray Associates, 2016.
Hammond, Harmony, and Lucy R. Lippard. Harmony Hammond: Ten years 1970 –1980, a retrospective exhibition at WARM and Glen Hanson Gallery, Minneapolis, Minnesota, February 28‒March 28, 1981. Minneapolis: Women’s Art Registry of Minnesota, 1981.
Hammond, Harmony, and Kay Turner. Harmony Hammond. El Paso: Fox Fine Arts Center, The University of Texas at El Paso, 1995.
Honer, Julia. Active Threads. Dusseldorf, German: KAI/ARTHENA FOUNDATION, 2021.
Ivey, Paul Eli. Ivey, Paul. Harmony Hammond: Keeping it Small, Paintings and Monoprints. New York: Joyce Goldstein Gallery, 1999.
____Dialogues & Meditations : Harmony Hammond. Tucson, AZ: Tucson Museum of Contemporary Art, 2002.
Jones, Amelia, and Laura Cottingham. Sexual Politics : Judy Chicago's Dinner Party in Feminist Art History. Los Angeles: Armand Hammer Museum of Art and Cultural Center, 1996.
Kleckner, Len. Harmony Hammond: Radiant Spirits. Albuquerque, NM: Jonson Gallery, University of New Mexico, 1987.
Latimer, Tirsa True . Becoming/UnBecoming Monochrome. Denver : RedLine, 2014.
____Harmony Hammond: Against Seamlessness. Santa Fe: Dwight Hackett Projects & Radius Press, 2012.
Lippard, Lucy R. Harmony Hammond: Farm Ghosts. Tucson, AZ: Tucson Museum of Art, 1993.
____ Harmony Hammond: Big Paintings 2002-2005. Santa Fe, NM: Center for Contemporary Arts, 2005.
____ Pueblo Chico: Land and Lives in Galisteo Since 1814. Santa Fe, NM: Museum of New Mexico Press, 2020.
Lippard, Lucy, “Backwards/Forwards”, and Amy Smith-Stewart, “Twenty-First Century Feminist Expressions. 52 Artists: A Feminist Milestone, 2022”, The Aldrich Contemporary Art Museum. NYC: M Gregory R. Miller & Co. 2022.
Lord, Catherine and Richard Meyer. Art and Queer Culture. London: Phaidon, 2013 .
Macel, Christine. Women in Abstraction: Another History of Abstraction in the 20th Century. Paris, France: Centre Pompidou. 2021.
Melkonian, Neery. Harmony Hammond: Uneasy Juxtapositions. Santa Fe, NM: Center for Contemporary Arts, 1992.
Meyer, James. The Double: Identity and Difference in Art Since 1900. Princeton, NJ and Oxford: National Gallery of Art in association with Princeton University Press, 2022’
Perreault, John. Floored. Long Island, NY: Hillwood Art Gallery, 1983.
Primitive Presence in the 70s. Poughkeepsie, NY: Vassar College Art Gallery, 1976.
Queer Abstraction. Des Moines, IA: Des Moines Art Center, 2019.
Ratcliff, Carter. Thick Paint. Chicago: Renaissance Society at the University of Chicago, 1978.
Raven, Arlene. Harmonies: An Essay on the Work of Harmony Hammond. Chicago: Klein Gallery, 1982.
Reckitt, Helena, and Peggy Phelan. Art and Feminism. London: Phaidon, 2001.
Reed, Christopher. Art and Homosexuality: A History of Ideas. New York: Oxford University Press, 2011.
Rohrer, Judith, and Andrea Miller-Keller. Harmony Hammond: Matrix 78. Hartford: Wadsworth Atheneum, 1984.
Shapland, Jenn. My Autobiography of Carson McCullers. Portland, OR: Tin House Books, 2020.
Siegel, Katy, and David Reed. High Times, Hard Times: New York Painting 1967–1975. New York: Distributed Art Publishers, 2006.
Smith-Stewart, Amy. Harmony Hammond: Material Witness, Five Decades of Art.. Ridgefield, CT: The Aldrich Contemporary Art Museum, 2019.
Taylor, Simon, and Natalie Ng. Personal and Political: The Women’s Art Movement 1969‒1975. East Hampton, NY: Guild Hall Museum, 2002.
Weinberg, Jonathan, ed. Art After Stonewall: 1969 – 1989. New York: Rizzoli Electa, 2019.
Wilson-Powell, MaLin Harmony Hammond. Galisteo, NM: Linda Durham Contemporary Art, 1998.
Witzling, Mara R., ed. Voicing Today’s Visions: Writings by Contemporary Women Artists. New York: St. Martin’s Press, 1994.
Yee, Lydia. Division of Labor: “Women’s Work” in Contemporary Art. Bronx, NY: Bronx Museum, 1995.
Zarr, Howard A. Women’s Work, Lyndhurst. Tarrytown, NY: Lyndhurst, 2022.